Captured in Korea, this CHRONICLE showcases a prominent monkey statue near the top half of the photograph. Its greyish-white and smooth texture stands out among the green detail that comes from the traditional Korean temple. Directly above the statue, you see a portion of the roof carving its way up into the frame. Below the statue, there is a clean, colorful, and smooth incline of yet another roof. It moves towards the center of the frame and pulls the eye with it. It almost appears as if it's moving. The vibrant and various paints that are used to paint the inclines on both the top and bottom sections of the roofs provide a beautiful contrast and important detail to the photograph. Slightly dulling the full liveliness of the paint is a net that covers the lower portions of each roof. While they do take away from the color, they add a significant amount of depth to the photo, almost making it seem 3D.
This is EXHIBIT.
STORY
For the majority of my photographs, I envision the story before anything is captured. However, there are scarce occasions when I find the story after I take the photo, but EXHIBIT falls straight into that rarity.
As I was adjusting this CHRONICLE for the print, a few unexpected colors started to pop: the greens on the nets below and above the statue. They add an extreme amount of depth to the story, and I started to realize what words the photo gives me.
When I look at this photograph, it feels like the statue of the monkey is being forced into the open, into an awkward position. The nets and the carvings of the roofs help lift him up into the light.
I think that our society has much in common with him. We are surrounded by people who have a set of norms, whether good or bad, and when we spend time with them, we slowly start to reflect the world's characters. There are those who study in college because their friends were following that path. Some people are forced to pick up a religion because the pressure from their family is too great. And others end up believing they aren't great enough to achieve their dream goal.
The point I believe this CHRONICLE really tugs at is our characters. It is so easy to become someone else and pick up habits or ideas that don't align with who we are, thus presenting ourselves as someone we didn't intend to be. We are exhibited as the product of someone else's work. This isn't to say that exploring isn't okay, of course. We can follow our friends to places, and we can choose something because people tell us to. There is nothing wrong with that, and there are certainly many instances where this person is better off because of that decision. The contrast is that there are times when people don't get to explore their full sets of options. I believe that it is vital for us, as human beings, to be considerate of how others affect us and how we impact those around us. We all can encourage life-changing choices, but we need to be careful that we aren't forcing people into a corner.
If you end up hanging this CHRONICLE on your wall, then choose to view it however you would like, or remember what I have said about it, the monkey exhibit.
Thank you for reading! I would like to point out that I have nothing against following in others' paths. I, in fact, do this myself! I have followed a multitude of people, and through that act, I have become Ephrem Richmond. I encourage you to observe what others are doing in a critical way and to choose what best suits you.
MATERIAL
At Summit Edits, each photograph is brought to life using a carefully curated selection of museum-grade materials, chosen for their ability to elevate every detail, tone, and nuance of the image. Each option offers a distinct visual experience, allowing you to select the presentation that best reflects your space and aesthetic.
Hahnemühle Photo Rag Ultra Smooth
Renowned in fine art printing, Hahnemühle Photo Rag Ultra Smooth features an exceptionally refined matte surface that delivers subtle detail, soft tonal transitions, and a timeless, gallery-quality finish. Its velvety texture and muted depth create an understated elegance, ideal for those who appreciate a calm, contemplative presentation where the image feels both intimate and enduring. Each print includes a 0.79" (20 mm) white border, adding breathing room around the image and enhancing its gallery-style presence.
Matte Canvas (Stretched Canvas Print)
Matte Canvas offers a soft, textured presentation that brings a subtle, painterly quality to each photograph. The matte finish reduces glare while preserving natural tones and depth, creating a calm and refined visual experience. Each print is stretched over a 0.79" (20 mm) wooden frame with wrapped edges, allowing the image to extend seamlessly around the sides for a clean, gallery-ready look. Crafted with FSC®-certified wood, it combines aesthetic quality with responsible sourcing. The result is a warm, organic display that feels both timeless and effortlessly elegant.
Acrylic Glass with Fuji Crystal Archive
For a more striking, contemporary statement, the photographic print is mounted beneath optically clear acrylic glass at 0.08" (4 mm), amplifying depth, brilliance, and contrast. Light interacts with the surface to intensify color and enrich blacks, creating a radiant, almost dimensional effect. The print is backed with durable Alu-Dibond at 0.12" (3 mm), ensuring stability and longevity. This construction not only enhances the visual impact but also provides a solid, gallery-ready piece. Integrated aluminum rails allow for effortless hanging.
The result is a bold, gallery-style presentation designed to command attention and transform the photograph into a true centerpiece.
From the soft sophistication of fine art paper to the vivid clarity of photographic print and the dramatic impact of acrylic glass, each material is selected to ensure that every piece of Ephrem’s work is experienced at its highest potential.
WHITE BORDER
Border & Presentation Details
All prints are produced edge-to-edge, with no white border, allowing the image to fully occupy the space for a clean, modern presentation.
The only exception is Hahnemühle Photo Rag Ultra Smooth, which includes a 0.79" (20 mm) white border as part of its fine art presentation, enhancing its gallery-style aesthetic.
If you prefer a white border on other materials, this can be achieved through custom framing using a mat board. This involves selecting a slightly larger frame and adding a mat, which surrounds the image and creates that classic, centered border effect.
**For collectors who strongly prefer a built-in white border on other materials, custom orders are available upon request. Feel free to reach out directly, and I’ll do my best to accommodate your vision.
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